Harmony and Counterpoint II
Free, no sign-up neededSpring 2005English
About this course
In this subject, we explore the harmonic, melodic, and formal practices of western music, principally the so-called “Classical” idiom of central Europe, ca. 1750-1825. Topics include a quick review of material covered in 21M.301, chromatic harmony (viio7, bII6, and chords of the augmented sixth), and chromatic modulation; lecture study and discussion are complemented by work in the keyboard laboratory and sight-singing laboratory.
Description from MIT OpenCourseWare.
Where to take this course
- Open MIT OpenCourseWare (new tab)MIT OpenCourseWare · Spring 2005